TotW: Wonder Woman

As I’ve been working on the shelf, bike rack and lumber box this week,  I’ve been practicing with the Wacom some more.  This thing is going to take a long time to get used to.  I can see where it would already be valuable for coloring sketches or doing really loose stuff like The Last Stronghold.  For precise drawing, it takes a lot of effort.  I tried doing The Thing a couple of weeks ago and eventually just did it by hand.  This week I was determined that I would get something decent done 100% on the tablet.  I present to you my version of Wonder Woman.  I’ll be following this tutorial for digital coloring in one of the coming weeks.  I’m looking forward to that part.  I think it will be much more fun and easy than the line art.

Of course, Wonder Woman is owned and protected by DC Comics.  I am not claiming the character is my creation.

Line Art for Wonder Woman Rendering

TotW: Wizard!

Not much to say for this week’s Thing of the Week.  It is a painting of a wizard with a glowing orb in hand.  Crystal ball?  Magic missle just waiting to leap into a foe’s eye?  I can tell you painting it and the highlights it created was by far my favorite part of the painting.

I have been working like mad to do a decent person painting for the last two weeks and it just hasn’t worked out.  I’m struggling not only to learn the drawing tablet and brush settings in Photoshop but with my basic sketching ability.  I have many attempts now.  All have been spatula city bad.  Just ask Steve what that means.  I have faith that I’m doing the right kind of practicing and that I will get better at this.

Attached is the best of the worst.  It is acceptable on many levels but still falls flat on others.  Clothing is hard unless you go very realistic.  That is part of the reason for this attempt.  I hope everyone has a wizard of a weekend.  It is supposed to be cold here.

TotW: In Which we Discover Jellyroll Lurkers

"Slink all away, leave their false vows with him"

What is a jellyroll lurker?  Perhaps we’ll explore that more in future work.  For now the quote will have to do.

This was my second attempt at a digital painting.  It was a lot of fun and much faster – it only took me one day.  That’s half the time of the last one.  I think if I can keep this up a painting like this should be doable in two hours.  It helps that I have some of the Photoshop presets set up now and that the design is my own.  I’m extremely happy with the way the forest turned out.  I’ve got to work on drawing bushes.  My solution for this painting looks like smoke and is much too realistic.  I wanted to come up with something like the ferns you find on the forest floor through out the SE US.

Incidentally, my friend John let me know that he used to do stuff with a digitizing tablet.  Maybe he’ll share some of his work.  Perhaps a link in the comments section of this post (hint, hint)?  John is better at sketching than I am so I imagine his work is beautiful.

TotW: The Last Stronghold

For last week’s Thing of the Week (published in this post) I had to take a step back and find some sort of tutorial to follow.  The video I found was not as detailed as a step-by-step and I struggled to find a way to explain it until my wife said “It’s like Bob Ross but without all the specifics.”  That is exactly what it is.  So what you see below is not my concept, not really my color palette and mostly not my design, but I did do the entire thing from scratch and am happy with the way it turned out.  I would love to give credit to the guy who originally created this but the tutorial is something I grabbed sometime ago and I see that his website no longer exists.  If the original artist ever reads this, thank you very much.

The idea was to take a phrase and generate a quick concept sketch in thirty minutes.  The phrase was “The Last Stronghold” and pro doing it was able to finish in about 40 minutes.  It took me about two days.  Both his version and mine have problems that you’d want to correct for a rendering but I think they succeed in conveying a mood.  I tend to like more gestural painterly images than tighter more realistic ones anyway.  If you want realism, why not just mash up some photos in Photoshop?

The final concept was a giant walled city near the base of a mountain.  The invading army approaches with their siege engines.  The city has already been softened as is evident from the smoke issuing from within.  High on a rocky ledge an armored individual watches.  The sun is setting.

Intuos3: Into the Digital Breach

Probably five years ago for my birthday I asked my wife if I could get a digitizing tablet.  I hooked it up, played with it for a few days, realized it was not very intuitive and set it aside with the intention of practicing more in the future.  Not too long after that my motherboard blew up and the smart repair was a total system upgrade.

Once I got the new machine up and running I never got around to reinstalling the tablet which meant no free-time digital doodling and no improvement with the device.  I have read it enough times to believe that it takes 10 years to become an expert at something.  I could have been half way there by now.  As a consolation, I did keep the stylus in its cradle on my desk because it does look cool.

One of my goals for the year is the Thing of the Week and doing stuff with the digitizing tablet has always been near the top of that list.  Fast forward to last week.  Because of goal setting, this project finally moved from “important” to “do now” on the list.

What I didn’t realize was just how difficult it would be to create something that doesn’t generate laughter and rotten tomatoes from its viewers.  I had one cool project in mind that I hope to return to once I knock the rust off my fingers.  After trying it and failing a couple of times, I had to switch projects.

I’m ok with a pencil and paper.  The high point of my sketching career was probably in high school.  Sadly, there was so much to learn about design in college that I didn’t make time to draw as much as I should have and my skills languished.  It was even more extreme once I got my first real job.  No time to draw.  Little time to design.

I did a little bit of water color painting in architecture school.  Nothing fancy.  Just even washes or gradations of color.  Remember, this was way back in the olden days when drafting and rendering was done by hand.

Once I started industrial design I got some good marker instruction.  Even though the training was quite good my skills were average – competent but not exciting.  Since leaving college I’ve tried my hand at acrylic painting for fun a couple of times and have found that I really enjoy it.

So you would think digital sketching and painting would not be that different and maybe it wouldn’t be if I had a Cintiq tablet where you draw directly on the screen.  However those are literally ten times the cost of my Intuos3.  With the Intuos you are drawing on a tablet and looking at a screen.  It is disorienting enough not to be looking where you are drawing, but now imagine that each time you zoom in or out or you change the angle of the tablet to the screen, you affect your drawing.

Don’t hear me say that the Intuos is a bad product or that I don’t like using it.  It’s not and I do.  I actually have had a blast learning how to use this thing and am looking forward to the next painting I’ll hopefully be showing you at the end of the week.  I’m just trying to convey how awkward it has been to learn.  You’ve been driving a car for years and now someone tells you to try it using only your elbows.  Yeah, it’s kinda like that.

Every minute I spend with the tablet is completely worthwhile.  Once I’ve accumulated the equivalent of about six months of daily use, I bet it will be my preferred method.  I can already see just how fast ideation can be, there is no clean up and, best of all, control-z.